"When shit brings you down, just say ‘fuck it,’ and eat yourself some motherfucking candy."
— David Sedaris (via regularpersonlemon)

(Source: frankatzenjammer)

"No, but I didn’t realize that I’m always making noise and talking. My boyfriend told me that. When I’m at my typewriter, I’m always humming and making noise and just kind of turning it into music, whatever it is that I’m writing. I guess I want that rhythm to be written on the page when I read it out loud. I was listening to a book on tape this summer written by Muriel Spark, and it was read by Judi Dench, and there was a section in it that was just magnificent. So I stopped the tape and I wrote it all down, and then when it was written on paper, it was just choppy. It was just Judi Dench creating rhythm out of nothing, because if you had just handed that to me, or to a normal person, it actually would have been painful to listen to, but she made rhythm where it had not existed. I guess I try to put that rhythm on the page so that anybody can read it out loud."
— DAVID SEDARIS

(Source: New York Magazine)

"I’m a horribly judgmental person. My boyfriend is not judgmental at all, and I don’t quite understand it. I just don’t know how to stop myself from being judgmental. And I’m unforgiving too."
— DAVID SEDARIS

(Source: dw-world.de)

bobulate:

David Sedaris uses, not a real stove but, a stove metaphor to talk about work-life balance:

One burner represents your family, one is your friends, the third is your health, and the fourth is your work. The gist … was that in order to be successful you have to cut off one of your burners. And in order to be really successful you have to cut off two.

James Franco seems to defy burner-isms. A recent piece raises at least two questions: 1) Can he be for real? And 2) If so, then just how is all of this possible?

For instance:

[G]raduate school. As soon as Franco finished at UCLA, he moved to New York and enrolled in four of them: NYU for filmmaking, Columbia for fiction writing, Brooklyn College for fiction writing, and — just for good measure — a low-residency poetry program at Warren Wilson College in North Carolina. This fall, at 32, before he’s even done with all of these, he’ll be starting at Yale, for a Ph.D. in English, and also at the Rhode Island School of Design.

And this isn’t new:

See also:
Balanced people don’t change the world

According to his mother, Betsy, Franco has been this way since he was born. In kindergarten, he wouldn’t just build regular little block towers — he’d build structures that used every single block in the playroom. At night, he would organize his Star Wars toys before he slept. When Franco was 4 years old, a friend of the family died. Betsy gave him the standard Mortality Talk: no longer with us, just a part of life — yes, but hopefully not for a very long time. Little James burst into tears. He was inconsolable. Eventually, he managed to choke out, between sobs, “But I don’t want to die! I have so much to do!”

This is no two-burner strategy. This is everything-ism.

itssaturdaynightlive:

Even funnier when being read aloud by him, but it’s still hilarious on paper. 

“What happens when you ask brilliant humor essayist David Sedaris to sign your Kindle? You get a hilarious quote doomed for finger smudging on your expensive gadget.”
(via)

“What happens when you ask brilliant humor essayist David Sedaris to sign your Kindle? You get a hilarious quote doomed for finger smudging on your expensive gadget.”

(via)